free school for art theory and practice /

The guests of the Free School for Art Theory and Practice in February are the London-based artists, The Otolith Group (Anjalika Sagar and Kodwo Eshun).
Public lecture: February 21, 2012
Seminar: February 25, 2012
Venue: KIRALY 102 - tranzit office (1067 Budapest, Király utca 102, first floor)
Please send your applications to the seminar until February 10, 2012 at office@tranzitinfo.hu
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This year, for the second time, the Catalyst Award, founded by tranzit. hu, will be handed out.
The award is given to individuals, projects, and initiatives which, directly or indirectly, have an impact on the contemporary art scene–they contribute to the presentation, discussion and mediation of art with their progressive approach of form or substance.
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Screening and performance lecture /

November 26, 7 p.m.
Kiraly 102
(1067 Király u 102, 1st floor)
Public Presentation of visual artists Sherif el Azma and Malak Helmy (Cairo)
Presentation of the outcome of the workshop An attempt to use alternative geography to explore narratives and space
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Free School workshop with visual artists Sherif el Azma and Malak Helmy (Cairo) /

Visual artists Sherif el Azma and Malak Helmy hold a four-days workshop with the students of the Intermedia Department at the University of Fine Arts between November 23 and 26 2011.
The workshop is a practice oriented format of the Free School for Art Theory and Practice
The workshop will function as a laboratory-like environment to maintain a conceptualization/ discussion with the intention to form a strong grounding from which to create a time-based collective work (made by the group involved). Time-based media may involve sound, video, performance, reading/lecture (or a multi-media piece) that has a sequential structure that runs with time. A specific space/location within Budapest will be chosen through discussion with the group, so that focus on that specific geography can be both used as part of a narrative construction and/or a base to consider different representational strategies when looking at a space more phenomenologically. Actual production will take place gradually during the three days of the workshop.
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lecture /

In the framework of the Free School for Art Theory and Practice, the public lecture of cultural theorist David Chioni Moore(International Studies, English, and African Studies, Macalester College, St. Paul, Minnesota, USA) and theorist, curator Vít Havránek (tranzit.cz,Prague, Czech Republic)
October 14, 2011, 7 pm
Central European University
Auditorium
1051 Budapest, Nádor utca 9.
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free school for art theory and practice /

The fall seminar of the Free School for Art Theory and Practice is based on the dialogue of literary theorist and university professor David Chioni Moore (Saint Paul, Minnesota, USA) and curator/ theorist Vít Havránek, director of tranzit. cz (Prague, Czech Republic).
Date of the seminar: October 14-15, 2011
Please send your applications to office@tranzitinfo.hu until October 10, 2011.
Preparatory reading seminar on October 6th, 2011 at 5 p.m., at Labor, Képíró utca 6.
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Book Launch /

"Everything that is public is a proclamation, if you will."
BOOK LAUNCH
Art Always Has Its Consequences
Artists' Texts from Croatia, Hungary, Poland, Serbia, 1947-2009
Date: 26 September 2011, 18:00
Venue: Vízraktér, Fő utca 84., Budapest 1027
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exhibition /

As part of the Lake Bánk Festival, two exhibitions of Tímea Oravecz, and Lilla Khoór in collaboration with Will Potter organized by Marom Hungary and tranzit.hu will take place at Bánk.
Opening: August 5 2011, 6-7 p.m.
Lake Bánk Festival will be organized on August 4-5-6 2011.
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free school for art theory and practice /

The June Seminar of the Free School for Art Theory and Practice will be led by Paul O’Neill and Mick Wilson.
To take part in the seminar send an motivational letter in English to office@tranzitinfo.hu until June 1, 2011.
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lecture /

In the framework of the June seminar of the Free School for Art Theory and Practice Paul O'Neill's lecture The Exhibition as an Emergent, Co-productive Medium and Three Principal Categories of Organisation: the Background, the Middle-ground and the Foreground will take place.
Date: June 16. 6 p.m., 2011
Location: Palace of Arts, 1095 Budapest, Komor Marcell u. 1., Ludwig Museum Contemporary Art Museum, 2nd floor
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residency program /
LABOR announces a call for artists and curators for the use of the space of LABOR as a studio or an open space for a two- or four-week time in August 2011.
Location: Labor (1053, Budapest, Képíró u. 6.)
Application deadline: 15th June 2011
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exhibition /

In the framework of the project "Recuperating the Invisible Past" the exhibition Parallel Chronologies - Invisible History of Exhibitions is organized in Riga Art Space by tranzit.hu and LCCA.
Opening: May 17th, 2011
Riga Art Space
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Könyvtér (Bookspace) is a thematic program series of Labor to collect and present books, journals, fanzines and other publications related to contemporary art. By involving different segments of contemporary culture, the primary aim of Könyvtér is to make the boundaries of art theory and practice the object of permanent reconsideration.
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project /
LABOR was founded in September, 2007 as a joint initiative of C³ Centre for Culture & Communication Foundation, the Studio of Young Artists Association (FKSE) and the Hungarian University of Fine Arts (MKE) in place of the former Studio Gallery. In 2009 tranzit.hu has joined the collaboration.
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tranzitblog is a visual culture blog that works since 2007 in Hungarian. Blogposts are written by invited bloggers, artists, curators, art critics, urbanist, anthropologists, collectors, activists about their actual interests or hot topics. The subtitle of the art blog “critique and visuality” refers to the aim of the editors to unravel the ideologies that determines the spectacle by the blogposts and thus to help the reader in orientation.
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seminars and lectures /
For applications or further information please contact: office@tranzitinfo.hu
The Free School for Art Theory and Practice considers as the basis of its philosophy the concept that contemporary art and culture produce an excess of knowledge and experience, which can be recycled and used in broader social discourse, beyond their own primary context.
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