discussion /

16/03/2010 Tuesday, LABOR, 18 pm - 20 pm
1053 Budapest, Képíró u. 6.
An open editorial session will take place in Labor with the participation of the current editors of tranzitblog (Eszter Götz, Sándor Hornyik, József Mélyi, Levente Polyák). Besides the screening of a film, the editors will introduce their proposals for further topics. The editors are open to questions and suggestions about their work.
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project /

Opening Könyvtér (Bookspace)
23 February, 2010, 7 p.m.
On the occasion of the opening the new interior – a bookshelf - designed for Labor will be introduced.
On the opening night on view video Books by Gyula Várnai.
Music by by X-Menz Idiotronic and DJ Gandharva
Location: Labor (Budapest, V. ker. Képíró u. 6.)
Opening hours: Tuesday and Thursday between 4 p.m. and 8 p.m.
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international research collaboration /
The project Art Always Has Its Consequences is conceived as a long-term international collaborative platform between: What, How and for Whom? (Croatia), tranzit. hu (Hungary), Museum Sztuki Łódź (Poland) and Center_kuda.org (Serbia).
www.artalways.org
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free school for art theory and practice /

A two-day seminar on curating contemporary arts in complex urban conditions, conducted by HamzaMolnar.
Date: November 28-29, 2009
Location: Labor (5th district, Budapest, Képíró str. 6.)
To take part in the seminar, please send a motivation letter to the office@tranzitinfo.hu address until November 20. Participation in the seminar is free.
A public lecture connected to the seminar will be held on 27th November.
Further information will be announced soon.
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premiere /
Screening times: Thursday, 12 November 2009, at 8 pm and 9 pm
Location: Toldi Cinema, large hall (Bajcsy-Zsilinszky út 36-38, Budapest V)
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free school for art theory and practice /

The Fall seminar of Free School for Art Theory and Practice is connected to the Typopass. Critical design and conceptual typography exhibition
Date: October 14-15, 2009
Location: Dorottya Gallery (1051, Dorottya u. 8.)
Deadline for application: October 12
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exhibition /
How does critical design emerge, the attempt to counter consumer culture with a social consciousness with the intention not only to serve customers but also to shape visual culture, even the whole of culture and society?
organized by tranzit. hu and Dorottya Gallery (Műcsarnok) with the collaboration of Polish Institute
Participants: Attila Cosovan, Kai Bernau, Andreas Fogarasi, Dejan Kršić, Tibor Kálmán, Lajos Kassák, László Moholy-Nagy, Boris Ondreička, Gábor Palotai, Gábor Papp, Plágium 2000, Katarina Šević, Société Réaliste, Mladen Stilinović, SZAF (Judit Fischer, Miklós Mécs), Žiga Testen, Modern Hungarian typography-history – compiled by Márton Orosz, Montage (Edited by: Florian Pumhösl), Artist publications from Poland (Stefan Themerson, Andrzej Partum, Jan Berdyszak, Jarosław Kozłowski, Stanisław Dróżdż, Zygmunt PioTrowski, Fabryka, Tango, Luxus and others) selected and lent by Piotr Rypson, Artist publications from the collection of Artpool Research Center selected by Viktor Kótun, and further publications
Curators: Judit Angel, Dóra Hegyi, Zsuzsa László
Dorottya Gallery (1051, Dorottya u. 8.), Labor (1053, Képíró u. 6.)
14 October – 15 November 2009
opening: 13 October 2009, 18:00 (Dorottya) 19:30 (Labor)
Platán Gallery (Polish Institute, 1065, Andrássy út 32.)
22 October – 27 November 2009
opening: 21 October 2009, 18:00
opening speech: Géza Perneczky
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The Public Benefit Activity Report of Tranzit Hungary Public Benefit Association for year 2008 is available here.
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art always has its consequences /
tranzit. hu organizes an exhibition and symposium with the title Invisible History of Exhibitions, which aims at the formation of a shared knowledge and discourse on Eastern European art exhibitions from the 1960s till now.
Invisible History of Exhibitions
international symposium
Location: Krétakör Bázis (IX. Budapest, Gönczy Pál u. 2.)
Date: May 21 - 22, 10 a.m. – 6 p.m.
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art always has its consequences /
tranzit.hu organizes an exhibition and symposium with the title Invisible History of Exhibitions, which aims at the formation of a shared knowledge and discourse on Eastern European art exhibitions from the 1960s till now.
Parallel Chronologies – Invisible History of Exhibitions
exhibition
Opening: May 20, 6 p.m., 2009, Labor (V. Budapest, Képíró u. 6.)
7.p.m. Krétakör Bázis (IX. Budapest, Gönczy Pál u. 2.)
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free school for art theory and practice /

The April seminar will be led by Marion von Osten, artist, curator about the project exhibitions as artistic practice.
Date: April 4-5 2009
Deadline for application: March 31 2009
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free school for art theory and practice /

In the framework of the April seminar of the Free School for Art Theory and Practice launched by tranzit. hu
Marion von Osten, artist, curator
In the desert of modernity - Colonial Planning and After
Date: 3rd April, 2009 6 p.m.
Location: Hungarian University of Fine Arts, Art History lecture room (6th district, Budapest Andrássy str. 69-71.)
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project /

Opening Könyvtér (Bookspace)
23 February, 2010, 7 p.m.
On the occasion of the opening the new interior – a bookshelf - designed for Labor will be introduced.
On the opening night on view video Books by Gyula Várnai.
Music by by X-Menz Idiotronic and DJ Gandharva
Location: Labor (Budapest, V. ker. Képíró u. 6.)
Opening hours: Tuesday and Thursday between 4 p.m. and 8 p.m.
read more /
international research collaboration /
The project Art Always Has Its Consequences is conceived as a long-term international collaborative platform between: What, How and for Whom? (Croatia), tranzit. hu (Hungary), Museum Sztuki Łódź (Poland) and Center_kuda.org (Serbia).
www.artalways.org
read more /
project /
LABOR was founded in September, 2007 as a joint initiative of C³ Centre for Culture & Communication Foundation, the Studio of Young Artists Association (FKSE) and the Hungarian University of Fine Arts (MKE) in place of the former Studio Gallery. In 2009 tranzit.hu has joined the collaboration.
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seminars and lectures /
For applications or further information please contact: office@tranzitinfo.hu
The Free School for Art Theory and Practice considers as the basis of its philosophy the concept that contemporary art and culture produce an excess of knowledge and experience, which can be recycled and used in broader social discourse, beyond their own primary context.
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